1x09 - Aunty Dearest

[Prue Brianna Johnna Halliwell]

DESTINED
"AUNTY DEAREST"

TEASER

OVER BLACK.

EXT. HALLIWELL MANOR - STOCK - NIGHT

CUT TO:

INT. HALLIWELL MANOR - KITCHEN - NIGHT

Prue and Piper are coming in carrying some shopping bags.

PRUE

Aunt Piper, when did you get that crazy for shopping?

PIPER

C´mon, Prue. I just need that couple of things.

PRUE

Couple of things, hum?

They land the bags on the kitchen table. Wyatt comes in.

WYATT

You two finally got home! We are still going to the movies, Prue?

PRUE

Su...

PIPER

(cuts her off)

Movie? Sounds good. Why don´t we stay here watching some good movie on the TV? I call Leo.

WYATT

Mum...

Piper leaves the kitchen.

PRUE

Wyatt!!!

WYATT

A date with my parents?!

PRUE

Apparently.

(bossy)

Go and tell her that we rather go to the cinema just the two of us.

WYATT

Prue...

Piper comes in speaking on the phone.

PIPER

... Yeah, Leo. OK. You´ll see, it will be good the four of us going out. We can have dinner and then a good movie.

Prue shots Wyatt a look. Wyatt shrugs. Piper turns off the phone.

PIPER

(smiling)

OK. Dinner for four. Prue, can you help me?

Prue smiles to Piper. Then, she looks to Wyatt with a "Save me!" expression.

CUT TO:

EXT. SOMEWHERE IN SAN FRANCISCO - STREET - NIGHT

A man stops his car in front of a bank. He gets out of the car leaving his ten years old son sleeping in the back seat. The man goes towards the bank. Next to it, a twenty years old boy watches them. When he sees the father leaving the car and his son inside, he approaches the car. He opens the car´s door and grabs the kid. He walks away from the car and walks into the alley.

CUT TO:

EXT. SOMEWHERE IN SAN FRANCISCO - ALLEY - NIGHT

The boy enters in a portal in the wall taking the little boy.

CUT TO:

EXT. SOMEWHERE IN SAN FRANCISCO - STREET - NIGHT

The father gets back to the car and looks at the back seat. He realizes his son is not there and starts screaming for his son.

MR. PORTMAN

Peter... Peter... Where are you, son?

The man looks around. He takes his cell phone and dials a number.

MR. PORTMAN

Police station?... My son disappeared...!

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Holly Marie Combs as Piper Halliwell

Rose McGowan as Paige Matthews

Brian Krause as Leo Wyatt

Ivan Sergei as Henry Mitchell

Guest Starring

Jessica Szohr as Andrea

Maureen Muldoon as Rhona Lee

Daren Kagasoff as Noah Lee

Eddie Cibrian as Mr. Portman

Davis Cleveland as Peter Portman

Skeet Ulrich as Mr. Lee

Josie Davis as Mrs. Lee

Joey King as 10 years old girl

Griffin Gluck as 10 years old boy

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written by

Sol

Edited by

Megail Hill aka Piper Halliwell and Matty aka Prue Halliwell I

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

FADE IN:

EXT. SAN FRANCISCO - NIGHT

The camera shows us San Francisco streets at night.

CUT TO:

INT. HALLIWELL MANOR - LIVING ROOM - NIGHT

Wyatt and Prue are sitting on the couch, hugging each other.

PRUE

I never thought we could have a double date with your parents.

WYATT

Neither did I. It´s still weird!

PRUE

Tell me about it!

They kiss. In that moment, Piper comes in bringing popcorn. She watches them and covers her eyes.

PIPER

(shocked)

Oh My God!

Prue and Wyatt get up immediately, uncomfortable.

WYATT

(ashamed)

Mum!

PIPER

(looks them)

I´m so sorry. Eh... you two do that often?

WYATT

Mum!!!

PIPER

Sorry! But all this is still weird to me.

Leo comes in bringing some juice.

LEO

What happened?

PIPER

I came in and they were... you know...

LEO

Piper!!!

PIPER

What?!

PRUE

Why don´t we watch the movie?

PIPER

Perfect!

Piper sits and signs to Prue to sit beside her.

PIPER (CONT´D)

Prue, sit in here.

Prue shots Wyatt a look. Wyatt shrugs. Prue sits beside Piper. Leo and Wyatt sit on another couch.

CUT TO:

INT. P3 - DAY (NEXT DAY)

Prue and Melinda are talking in the P3.

MELINDA

(laughing)

I would love to see that!

PRUE

(serious)

It was not fun! If you had seen my face when your mother catch us...

MELINDA

I would like to have seen her face!

Melinda can´t stop laughing.

PRUE

Can you stop making fun of me?

MELINDA

C´mon, Prue. Sorry, but, it´s funny.

PRUE

I can´t see the fun.

MELINDA

Believe me, if you were in my shoes, you´d see it.

Prue´s cell phone rings. She sees who´s calling.

PRUE

It´s your mum.

MELINDA

Oh yeah! I forgot to tell you. She wants to go to the hairdresser.

PRUE

What do I have to do with that?

MELINDA

She doesn´t want to go alone.

Melinda keeps laughing. Prue picks up the phone.

PRUE

Yes? Hi Aunt Piper. Now? Well, I don´t know, I mean, I have a band later tonight... Tamora can´t because of college... but... but... OK. See you.

Prue turns off the phone and looks to Melinda, who´s still laughing.

PRUE (CONT´D)

She is going to ask to Aunt Paige to take care of P3 for me.

Melinda laughs even more.

MELINDA

I´m having so much fun, but I should better go.

Melinda goes towards the stairs.

MELINDA (CONT´D)

Ah, Prue...

Prue looks to Melinda.

MELINDA (CONT´D)

Good luck!

Melinda leaves the club laughing while Prue grimaces.

CUT TO:

INT. BAY MIRROR - ARCHIVES ROOM - DAY

Wyatt is looking for some documents. Chris is there too, but pretty like Melinda, he can´t stop laughing.

CHRIS

It´s really fun! Really!

WYATT

It was awful. It looked like we were been watched.

CHRIS

Well, actually, you both were.

Chris keeps laughing.

WYATT

Stop laughing and help me to find those files.

CHRIS

Sorry!

(gets serious)

What files?

WYATT

Files about some kidnappings that happened years ago.

CHRIS

What do you want that for?

WYATT

To my column.

CHRIS

About kidnappings?

WYATT

No, Chris, about food. Of course it is about kidnappings.

CHRIS

Sorry, but your face...

Wyatt gives him a "Not funny!" look. Then he turns back and keeps looking the files. Seconds later Wyatt finds them.

WYATT

Finally!

He skims the files.

WYATT (CONT´D)

This is about some kidnappings occurred ten years ago. Some mysterious kidnappings. I was reading some old newspapers a few day ago and ran into that article.

CHRIS

And you are going to write about it?

WYATT

Yes. Let me see if I can book a meeting with the parents of one of the kids.

CHRIS

Why just the parents of one of the kids?

WYATT

Because, it was the only one who disappeared along with his aunt.

CHRIS

What?

WYATT

Exactly!

Wyatt and Chris exchange a look.

CUT TO:

INT. POLICE STATION - DAY

Junior is interrogating the father of the kid who was kidnapped the night before.

JUNIOR

Mr. Portman, I need to know more details about what happened last night.

MR. PORTMAN

I told you everything I know about what happened. I got out of the car and went to the ATM machine and when I got back my son wasn´t there.

JUNIOR

Did you see someone around?

MR. PORTMAN

I din´t. No one was there. People was inside a restaurant nearby. But just that.

JUNIOR

It´s everything for now, Mr. Portman. I let you know as soon as we know something.

MR. PORTMAN

I´ll appreciate it.

Mr. Portman gets up and handshakes with Junior. He leaves the police station. Junior goes towards his father´s office and walks in.

CUT TO:

INT. POLICE STATION - HENRY´S OFFICE - DAY

Henry is talking on the phone when Junior comes in.

HENRY

(on the phone)

Yes, very important... Everything you could get would be helpful... OK, I´ll wait for your call.

Henry turns off the phone.

HENRY (CONT´D)

Everything was easier when I was just a parole officer.

(to Junior)

News?

JUNIOR

Nothing new. He doesn´t remember anything else.

HENRY

Kidnappings are not easy, especially if we are talking about kids.

JUNIOR

Dad, maybe we could use an extra help to solve this case.

HENRY

Son, you know that we can´t use that kind of help in this kind of cases.

JUNIOR

Who said this is not the kind of case that needs that kind of help?

HENRY

Who said it does?

Junior looks to his father desolate.

CUT TO:

INT. LEE´S FAMILY HOUSE - SOMEWHERE IN SAN FRANCISCO - LIVING ROOM - DAY

Wyatt is coming in followed by a couple in their forties.

WYATT

Thanks for accepting meeting me.

MRS. LEE

We got curious about what you need to ask to us, Mr. Halliwell.

WYATT

It´s about your son kidnapped ten years ago.

Mr. and Mrs. Lee look to each other.

MR. LEE

What do you want to know?

WYATT

Well, according to the files in the Bay Mirror archive room, you never got to find your son.

MRS. LEE

The police gave up after some time looking for him.

WYATT

Did they never find a clue about who could have done this?

MRS. LEE

A lot of clues came out but nothing helpful. And after a few years, they closed the case.

MR. LEE

Mr. Halliwell, why are you going into this now?

WYATT

Well, of all the kids kidnapped, yours disappeared at the same time as Mrs. Rhona Lee.

MR. LEE

My sister.

WYATT

According to our files, you asked to authorities to give up on looking them.

Mr. Lee gets up.

MR. LEE

It was worthless to keep looking for them.

WYATT

Why?

MR. LEE

They are not coming back again. They are gone for good.

Mr. Lee leaves the living room.

MRS. LEE

(to Wyatt)

This is still painful for us.

WYATT

But he was your son. You shouldn´t have given up.

MRS. LEE

Believe me, Mr. Halliwell, there´re some things that you better not touch.

Wyatt gives her a seriously look. Mrs. Lee has a distant look.

CUT TO:

INT. POLICE STATION - DAY

Junior is talking with some agents when the phone rings.

JUNIOR

(on the phone)

Yes? Wyatt, hi! Did something happen?... Kidnappings from ten years ago?... OK, I´ll be here waiting for you.

Junior turns off the phone.

CUT TO:

INT. CAVE - UNDERWORLD - DAY

The boy kidnapped the night before, PETER (10), is in a corner with tie hands and blindfolded. He looks unconscious. The boy who kidnapped him, NOAH (21), it´s in the other side of the cave, sitting and watching the kid. A woman, RHONA (45), comes in the cave.

RHONA

Is he still unconscious?

NOAH

He is.

RHONA

As soon as he wakes up, we should take him to the great Master.

NOAH

So he can receive powers.

RHONA

As you did, my son.

NOAH

I told you, don´t call me son. I am not your son.

RHONA

I am more  like a mother to you. The only one you knew all this time.

NOAH

You are not her.

Peter is waking up. Noah and Rhona look to him.

RHONA

Perfect. I should take him to the Master.

Rhona gets close to Peter and looks to Noah.

RHONA (CONT´D)

Go watch the next target. We need more three kids to have the final number of seven.

Noah looks to Rhona. He is serious. Then, with his hands he creates a portal in the wall and gets into it.

CUT TO:

EXT. ANDREA´S HOUSE - ENTRANCE - DAY

Chris is arriving with Andrea.

ANDREA

Would you like to come in, love?

CHRIS

I can´t. I have to go back to work.

Chris gives her a quick kiss. She realizes something´s weird.

ANDREA

Chris? Is Everything OK?

CHRIS

Yeah! Why you ask?

ANDREA

I don´t know. I think you are not yourself lately. It doesn´t look like we were apart for six months.

CHRIS

Babe, sorry. It´s just stress.

Andrea gives him a sweet smile. Chris kisses her passionately. Then, Andrea gets in. Chris looks to her.

CHRIS (CONT´D)

(to himself)

I have to find a solution to know what her reaction would be when knowing who I am.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

FADE IN:

INT. POLICE STATION - MAIN ROOM - DAY

Wyatt comes in. Junior is sitting at his desk searching on the computer. Wyatt comes closer.

WYATT

Did you find something?

JUNIOR

I´m on it. It´s been ten years. By the way, why do you want it?

WYATT

I´m writing an article and I stumbled on this case, purposely.

JUNIOR

Purposely?

WYATT

There´s something strange about this case, Junior.

Then, appears in the computer´s screen two profiles. A woman, Rhona Lee, and a kid, Noah Lee.

JUNIOR

Found it.

Junior and Wyatt read the info.

JUNIOR

It says that they disappeared at the same time.

WYATT

Along with another six kids.

JUNIOR

Wyatt?

WYATT

Hum?

JUNIOR

Yesterday, a kid was kidnapped. I was interrogating his father earlier today.

Wyatt looks at Junior.

JUNIOR (CONT´D)

And there´s more.

WYATT

What?

JUNIOR

And three more kids were kidnapped when they were sleeping at home.

WYATT

That makes four of them.

JUNIOR

And if I am right, more three could be in great danger.

WYATT

Magical business?

Junior nods positively. They look seriously to one another.

CUT TO:

INT. HALLIWELL MANOR - ENTRANCE / MAIN HALL / DINING ROOM / STAIRS - DAY

Wyatt and Junior come in. Wyatt closes the door, but Melinda opens it immediately after him. She comes in.

MELINDA

Hey guys!

JUNIOR

Hi Mel!

MELINDA

What´s up?

WYATT

We´ve got some things to do.

MELINDA

Demons?

WYATT

Maybe.

MELINDA

Do you need help?

JUNIOR

We could use yours, cous.

The three of them go towards the stairs. Prue comes from the kitchen. She is with a curly hair.

PRUE

(stressed)

Hey, hey, hey! Where are you going?

They realize her new look.

MELINDA

(laughing)

I can see you enjoyed your time at the hairdresser.

WYATT

(smiling)

You are having fun with mum! That´s great!

Prue shots him a "Give me a break" look.

PRUE

What are you doing? There´s demons around. I smell demons.

JUNIOR

There´s always demons around, Prue.

PRUE

(excited)

Good! What is it about?

WYATT

Why are you so interested?

PRUE

I need to get away from Aunt Piper. She is driving me crazy.

Melinda laughs.

PRUE (CONT´D)

(to Wyatt)

Now she is teaching me how to prepare your favorite cookies.

WYATT

(smiling)

That´s good!

Wyatt looks like he´s having fun. Prue grimaces to him. Piper comes from the kitchen calling for Prue.

PIPER

Prue, dear, where are you?

She sees Prue and the others.

PIPER (CONT´D)

Oh, you are here! Kids? Mel?

Melinda greets her mother with a "Hi!" sign.

PIPER

So soon at home?

WYATT

We´ve got things to deal with, mum.

PRUE

Yeah, Aunt Piper. They´re going to need my help. I´m sorry I can´t watch you preparing the cookies.

PIPER

(to Wyatt, Melinda and Junior)

Is it something that needs the Twice Blessed or the Charmed Ones?

JUNIOR

We don´t know yet, Aunt Piper.

PIPER

Well, when you figure it out, let us know. Prue and I will be at the kitchen.

Wyatt smiles.

WYATT

That´s a good idea, mum. I bet Prue is enjoying spending time with you.

Prue smiles ironically to Wyatt.

PIPER

Done. Come, Prue.

Prue smiles to Piper. Piper goes towards the kitchen. Wyatt, Junior and Melinda start going up stairs. Prue shots Wyatt a "You´ll pay me back!" look.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - MOMENTS LATER - DAY

Wyatt, Melinda and Junior are there. Wyatt is flipping pages on the Book of Shadows.

WYATT

There has to be something in here about kidnappings.

MELINDA

On second thoughts, we could use Prue´s help.

WYATT

Why?

MELINDA

She is the one with premonitions.

JUNIOR

And make her lose all the fun with Aunt Piper?

Wyatt and Junior look to one another.

WYATT / JUNIOR

No way!

The three of them laugh.

WYATT

But, is not a bad idea. Junior can you get a picture of the boy?

JUNIOR

Yeah. I´ll be right back.

Junior orbs out.

MELINDA

Now what?

WYATT

We wait.

CUT TO:

INT. HALLIWELL MANOR - KITCHEN - DAY

Piper is teaching Prue how to make cookies.

PIPER

... Then, put just a bit of cinnamon before going into the oven.

Piper adds cinnamon to the cookies which are on a tray.

PIPER (CONT´D)

Done!

Then she puts the tray into the oven.

PIPER (CONT´D)

Very well. Do you know what Wyatt likes to drink with the cookies?

PRUE

I don´t, but I´m sure you are going to tell me.

PIPER

Coconut milkshake.

PRUE

Coconut milkshake? Really? Well, that´s easy. I know how to prepare that.

PIPER

I´m sure you do. But, this one has an especial touch.

Piper starts looking for the ingredients. Prue grimaces.

PRUE

Here we go again.

Prue hears someone arriving at home. The sound comes from the front door.

PRUE (CONT´D)

Aunt Piper, I´ll be right back.

Prue leaves the kitchen.

CUT TO:

INT. HALLIWELL MANOR - ENTRANCE / MAIN HALL / DINING ROOM / STAIRS - DAY

Chris comes in home. Prue comes from the kitchen.

PRUE

Chris! I´m glad you are here! Tell me that you need me!

Chris is surprised by his cousin´s appearance.

CHRIS

What for?

PRUE

Demons... warlocks... something!

CHRIS

No, I don´t have any of those things in hands, right now.

PRUE

But your face... C´mon Chris, there´s something.

CHRIS

Well, there´s actually something.

PRUE

(excited)

Great! Talk!

Chris takes a deep breath.

CHRIS

When you were dating Eric you thought in using magic to help you tell him you are a witch, right?

PRUE

I did, but...

Prue shots him a suspicious look.

PRUE (CONT´D)

Chris, what are you thinking?

CHRIS

I need to find a way to figure out what would be Andrea´s reaction to the fact that I´m a witch with active powers.

PRUE

Using magic?

CHRIS

Do you have any other idea? You were about to do it.

PRUE

Yeah but, I didn´t.

CHRIS

Because he left town.

PRUE

Exactly. It was a sign. It wasn´t mean for him to know the truth.

CHRIS

You don´t know that.

PRUE

What are you planning to do?

CHRIS

There´s a spell in the book.

Prue smiles.

PRUE

The Truth Spell.

CHRIS

The one you were about to use, right?

PRUE

Truth can hurt, Chris.

CHRIS

I need to know how she would react.

PRUE

Aunt Prue and Aunt Paige did it and they got hurt.

CHRIS

But at least they found out what they wanted.

PRUE

Chris...

CHRIS

I need to know, Prue.

PRUE

Damn! They are right when they say we are alike.

CHRIS

You and me?

PRUE

And Aunt Prue.

CHRIS

So Aunt Paige, then.

Both laugh.

PRUE

Do it, but not inside home. It could catch us all and that´s not good.

They hear Piper calling for Prue.

PIPER (O.S)

(from the kitchen)

Prue, why are you taking so long?

Prue looks to Chris.

CHRIS

You and mum?

PRUE

Tell me about it.

Chris smiles. He goes upstairs. Prue goes towards the kitchen.

CUT TO:

INT. MORGAN´S FAMILY HOME - BEDROOM - DAY

Noah comes in the bedroom. A ten-years old girl, is sitting on her desk doing her homework. She doesn´t realize Noah´s presence. He gets closer to the little girl. He stands behind her and covers her mouth with a cloth. The girl fights for seconds, but then she gets unconscious. Noah takes her. He gets close to a wall and creates a portal. Then, he gets in taking the girl.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

Chris is skinning the Book of Shadows. Wyatt and Melinda look to him.

WYATT

What are you looking for?

CHRIS

A way to test Andrea´s reaction when I´ll tell her about me being a witch.

MELINDA

(surprised)

A magic way?

CHRIS

Exactly!

WYATT

Chris, that´s not a good idea.

CHRIS

Funny, you girlfriend supports me.

WYATT

Prue?

CHRIS

Do you have any other girlfriend?

Junior orbs in.

JUNIOR

OK, I got a photo of the kid and his Aunt.

WYATT

I´m going to show them to Prue.

JUNIOR

Another child was kidnapped.

MELINDA

When?

JUNIOR

Just happened. A girl.

CHRIS

(to Wyatt)

It wasn´t just a story after all, huh?

WYATT

I told you there was something else behind all this. I´m going to take this to Prue.

Wyatt takes the pictures from Junior´s hand and leaves the attic.

CUT TO:

INT. HALLIWELL MANOR - KITCHEN - DAY

Piper and Prue are still there. Prue looks bored. Wyatt comes in.

WYATT

Prue, I need your help.

Prue looks to Wyatt.

PRUE

(smiles)

Finally!

WYATT

Take this.

Wyatt gives her Noah´s picture when kid.

PRUE

Who´s that?

WYATT

A kid who was kidnapped ten years ago.

Prue takes the picture. Then, she feels a premonition coming into her mind.

CUT TO:

INT. LEE´S HOUSE - LIVING ROOM - NIGHT

She sees Noah´s parents and a woman, Rhona. Rhona holds Noah.

MR. LEE

Take care of him.

RHONA

I will, brother.

Rhona shimmers taking Noah.

The premonition ends.

CUT TO:

INT. HALLIWELL MANOR - KITCHEN - DAY

Prue opens her eyes.

WYATT

So?

PRUE

I saw a woman... a female demon... holding this child on the photo. The parents told her she could take him.

WYATT

So they know why?!

PRUE

Why what?

WYATT

Why their child was taken from them. Did you see the demon?

PRUE

I did.

WYATT

Did she look like this one?

Wyatt shows her Rhona´s picture.

PRUE

Yeah, that´s the demon.

WYATT

OK, thanks.

Wyatt is about to leave the kitchen.

PRUE

Hey, wait! Do you need something else?

WYATT

No. We take care of this.

Wyatt leaves the kitchen. Prue looks to Piper.

PRUE

Aunt Piper, once again, I´ll be right back.

Piper shrugs. Prue leaves the kitchen.

CUT TO:

INT. HALLIWELL MANOR - MAIN HALL / STAIRS - DAY

Wyatt is coming upstairs. Prue comes right after him.

PRUE

Wyatt, wait. You can´t leave me alone with your mother.

WYATT

Why? You look like you´re having fun.

PRUE

I could be having fun If I were helping you guys.

WYATT

We take care of this. Really.

Prue looks to Wyatt seriously. Wyatt smiles.

WYATT (CONT´D)

By the way, are you supporting Chris on that idea of using magic to test Andrea´s reaction?

PRUE

He needs to know, so, what could be better than a truth spell?

WYATT

Truth spell?

PRUE

Yes. He´s going to use it.

WYATT

Perfect!

Wyatt keeps going upstairs.

PRUE

Perfect for what?

WYATT

Go back to my mother.

PRUE

Wyatt!

WYATT

Love you!

Prue comes downstairs.

PRUE

(to herself)

Right now, I don´t love you that much!

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

FADE IN:

INT. HALLIWELL MANOR - ATTIC - DAY

Wyatt comes in the attic.

WYATT

Chris, have you cast that spell yet?

CHRIS

I haven´t. Why?

WYATT

Do it.

CHRIS

(surprised)

What?

WYATT

Here.

MELINDA

What spell?

WYATT

The Truth Spell.

MELINDA

(shocked)

Are you out of your mind, Wyatt?

JUNIOR

It could affect us all.

WYATT

That´s the idea.

CHRIS

Why?

WYATT

If we ask something to someone, that person would say the truth, right?

CHRIS

That´s the point of the spell.

WYATT

I´m going to talk to the Lees. By the way, the Aunt took the boy. Apparently, she´s a demon.

JUNIOR

If she is a demon so the brother is.

WYATT

There´s only a way to find out.

MELINDA

OK. Let´s make something clear.

JUNIOR

What?

MELINDA

No questions about what we think about each other or which are our private and deep secrets. Are we clear?

JUNIOR

Agree.

Chris starts reading the spell.

CHRIS

(reading from the book)

"For those who want the
truth revealed,
Opened hearts and secrets
unsealed,
From now until it´s
now again,
After which the memory
ends.
Those who now are
in this house,
Will hear the truth
From other´s mouths."

JUNIOR

Is it done?

CHRIS

(having fun)

Let´s see. Wyatt, how long are you in love with Prue?

WYATT

Since always.

Melinda and Junior look to one another. Chris laughs.

CHRIS

I knew it!

WYATT

We agreed not to ask that kind of questions!

CHRIS

(smiling)

I couldn´t resist, sorry!

Chris laughs.

WYATT

I´m going to talk to the Lees.

MELINDA

I´m going with you.

JUNIOR

I´m going to the police station to see if it is anything else.

Wyatt takes Melinda´s hand and orbs out. Junior orbs out too.

CHRIS

Well, I´m going to test Andrea´s reaction.

Chris leaves the attic.

CUT TO:

INT. HALLIWELL MANOR - KITCHEN - DAY

Piper is taking out the cookies from the oven. Prue is sitting bored. Piper notices.

PIPER

Prue, are you OK?

PRUE

No, not actually. I was supposed to be hunting demons, but I´m here making cookies instead.

Prue gets surprised hearing what she just said. Piper is surprised too.

PRUE (CONT´D)

The hell?! I mean, it wasn´t that what I wanted to say, Aunt Piper.

PIPER

(suspicious)

Really?

PRUE

Of course I meant every word.

She realizes again.

PRUE (CONT´D)

Damn!

PIPER

Language!

(approaches Prue)

Prue, what´s going on?

PRUE

I´m sick of this.

She does it again.

PRUE (CONT´D)

Aunt Piper, stop making me questions.

PIPER

Why? I´m kind of liking to hear the truth.

Piper is thoughtful.

PIPER (CONT´D)

The truth, hum! Is there a chance that you´ve been casting a spell lately?

PRUE

Maybe Chris, Aunt Piper.

PIPER

What for?

PRUE

To test Andrea´s reaction about us being witches.

(mad)

Holly crap!

PIPER

Great! So, you are bored here, right?

PRUE

Yes.

Prue grimaces.

PIPER

Why?

PRUE

Aunt Piper!

PIPER

Why are you bored, Prue?

PRUE

(sighs)

Because I hate you being a mother-in-law. I hate that. I like to be with you, but like my Aunt Piper, not like my mother-in-law. I´m tired, Aunt Piper.

Piper looks seriously to Prue.

PRUE (CONT´D)

Sorry!

PIPER

It´s the truth. Is that what you feel?

PRUE

It is.

Prue looks to Piper. Then, she leaves the kitchen.

PIPER

(to herself)

Yeah, truth can really hurt!

CUT TO:

INT. POLICE STATION - HENRY´S OFFICE - DAY

Henry is on the phone.

HENRY

(on the phone)

No, I want you to do what I said. Look everywhere. Those kids have to be somewhere.

Junior comes in. Henry signs him to wait.

HENRY (CONT´D)

(on the phone)

Keep me informed.

Henry turns off the phone.

HENRY (CONT´D)

Another kid was kidnapped.

JUNIOR

That makes six of them.

HENRY

Are you sure this is the demonic type of case?

JUNIOR

I do. Wyatt and Mel went to questioning the parents of the kid disappeared 10 years ago.

HENRY

Do you think they might find something?

JUNIOR

Yes. We were caught by the Truth Spell.

HENRY

Truth Spell?

JUNIOR

Yes.

Henry looks astonished.

CUT TO:

INT. CAVE - UNDERWORLD - DAY

Noah is in the cave when Rhona comes in.

RHONA

Just one more kid and we´ll have the group completed.

NOAH

This one is not going to be easy.

RHONA

I´m sure you´ll find a way to bring that kid here before midnight.

NOAH

Rhona...

RHONA

Dear, are you getting softer after all these years? You were prepared to serve our Master. All those whom were brought here.

NOAH

Why does he need more kids?

RHONA

To be prepared. That´s the way he feeds himself. You know that. It´s the only way for him to become the Source.

NOAH

That place belongs to Leah.

RHONA

She is weak. The Master would be the better Source the Underworld have ever known.

NOAH

What then? Would I be able to get back to my family?

RHONA

Dear, you could never be back. Your pure soul is gone.

Rhona is about to leave the cave.

RHONA (CONT´D)

Oh, Noah, please, don´t think about it in front of our Master. It can cost your life.

Rhona leaves the cave.

CUT TO:

INT. LEE´S FAMILY HOUSE - LIVING ROOM - DAY

Wyatt and Melinda are talking to Mrs. Lee.

WYATT

We need to know the true about the kidnapping of your son.

MRS. LEE

I don´t understand what you mean. Look, Mr. Halliwell...

WYATT

Wyatt...

MRS. LEE

Wyatt... We told you everything we knew about it.

MELINDA

You didn´t mention that demons took him.

MRS. LEE

Demons? I don´t know what you are talking about.

Mrs. Lee disguises.

WYATT

Ten years ago your son was taken by your sister-in-law, who happens to be a demon.

MRS. LEE

I don´t understand...

MELINDA

Mrs. Lee, we know what happened. We want to help.

MRS. LEE

You don´t understand. She said she would hurt us three. She promised he would be fine.

WYATT

We need you to tell us everything.

MRS. LEE

I can´t.

WYATT

It´s the only way. We can really help.

Mr. Lee comes in.

MR. LEE

Don´t insist. Noah is fine.

WYATT

Are you sure, Mr. Lee? Your son was taken by a demon. Is your sister a demon?

MR. LEE

She is not a demon.

MELINDA

But she had powers.

MR. LEE

How do you know that?

WYATT

We are...

Melinda interrupts his brother.

MELINDA

Let´s just say we have our methods.

Mr. Lee looks to his wife. She makes him a sign of agreement. Mr. Lee looks to Wyatt and Melinda.

MR. LEE

My sister always was interested in supernatural things.

MRS. LEE

She didn´t rest until she found a demon.

MELINDA

How?

MR. LEE

She studied the location of weird happenings. She followed their trails.

MRS. LEE

She got fascinated with the demon´s powers. He saw her and wanted to kill her.

MR. LEE

That was when she told him she wanted to be one of them.

MRS. LEE

He took her to another demon.

WYATT

What other demon?

MR. LEE

They call him the Master.

WYATT

The Master?

MR. LEE

Yes. She was recruited by him. Her task was to bring him pure souls.

WYATT

What for?

MR. LEE

He feeds on them. He makes them his servants.

MRS. LEE

She took Noah and we never saw him again.

Mrs. Lee starts crying. Her husband hugs her.

WYATT

Mrs. Lee, we will find Noah. But we need something that belonged to him.

MR. LEE

What for?

WYATT

To help us find him.

Mrs. Lee leaves the living room. And comes back with a necklace.

MRS. LEE

It belonged to him. He used it all the time. I hope this would help you.

WYATT

I´m sure it will.

Mrs. and Mr. Lee say goodbye to Wyatt and Melinda.

MR. LEE

Wait, who are you people?

MELINDA

We are...

WYATT

Mr. Lee, what you need to know is that our work is to protect innocents.

Wyatt and Melinda leave the living room.

CUT TO:

INT. ANDREA´S HOUSE - MAIN HALL / ENTRANCE - DAY

The doorbell rings. Andrea opens the door. Chris is there.

ANDREA

(surprised)

Chris?

CHRIS

Hi babe!

Chris and Andrea kiss each other.

ANDREA

What a surprise!

CHRIS

We need to talk.

ANDREA

OK. What is it about?

They go towards the living room.

CUT TO:

INT. ANDREA´S HOUSE - LIVING ROOM - DAY

ANDREA

So, what do you want to tell me?

CHRIS

Well, babe, there´s something I never told you. It´s about me and my family.

ANDREA

You are scaring me, Chris.

CHRIS

I hope you are prepared for this.

Chris orbs out. Andrea gets scared seeing her boyfriend disappearing in blue orbs. Chris orbs back behind her.

CHRIS (CONT´D)

Babe?

Andrea turns around and sees Chris. She gets apart from him.

ANDREA

(frightened)

What... what... Chris, what the hell was that?

Chris gets close to Andrea.

CHRIS

It has nothing to do with hell. It´s more like heaven.

ANDREA

What?!

CHRIS

I´m a witch, Andrea, a male witch. Well, actually, part witch part whitelighter.

ANDREA

What is a whitelighter?

Chris takes Andrea´s hands. They sit on the couch.

CHRIS

Whitelighters are like guardian angels.

ANDREA

Guardian angels?

CHRIS

Well, we are not guardian angels. There´s actually real guardian angels. We are more like guides for witches and future whitelighters.

ANDREA

What? I´m confused. There´s more?

CHRIS

Many more.

ANDREA

Your family?

CHRIS

We all are. Well, not all. Prue, Charlie and Cass are half cupids. Oh, and Mel, she is just a witch.

ANDREA

Cupids?

CHRIS

Yes.

ANDREA

Witches... OK. I always thought you did not believe in magic.

CHRIS

I never said that. I always avoid that subject because you didn´t believe in it.

ANDREA

I guess I was wrong, hum?!

Chris and Andrea look to each other.

CHRIS

Babe, I need to know how are you feeling about all this?

ANDREA

Tell me everything and then I´ll give you an answer.

They look each other.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

Junior is scrying. Wyatt and Melinda orb in.

JUNIOR

News?

WYATT

Rhona Lee is not a demon.

JUNIOR

So?

WYATT

She got demons´ powers.

JUNIOR

A human with powers?

MELINDA

That´s right.

WYATT

Use this, Junior.

Wyatt gives him Noah´s necklace.

JUNIOR

What is it?

WYATT

It belonged to Noah. Might help us.

Junior scries using the crystal and the necklace.

CUT TO:

INT. GRANGER´S FAMILY HOUSE - BEDROOM - NIGHT

Noah comes in. A ten-years old boy is sleeping. Noah gets close to him. He is about to grab the boy. Wyatt, Melinda and Junior orb in.

WYATT

Stay away from him, Noah.

Noah turns around and sees them.

NOAH

Who are you?

MELINDA

We want to help you.

NOAH

I don´t think so.

WYATT

Noah, we can take you back to your parents.

NOAH

I don´t have any parents.

Noah turns around to the boy. Wyatt waves his hand, but Melinda stops him from using his powers.

MELINDA

Don´t, Wyatt!

Noah takes the boy.

NOAH

Stay there or I´ll kill the boy.

JUNIOR

You don´t know what you are doing.

NOAH

Of course I do. This is my destiny.

WYATT

No, is not. Your destiny was taken from you by your Aunt.

Noah waves his hand and creates a portal in a wall. Then, he gets into it and disappears. Melinda doesn´t think twice and gets into after him.

WYATT (CONT´D)

Mel!

The portal closes.

JUNIOR

What do we do?

WYATT

Damn!

Wyatt and Junior look to one another.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

FADE IN:

INT. P3 - DANCE FLOOR / COUNTER - NIGHT

The band Prue hired is playing. Prue comes in and gets close to the bar. Paige is in there.

PAIGE

Prue, dear, what are you doing here?

PRUE

I´m trying to run away from my problems.

PAIGE

What?

PRUE

Forget it...

She makes a sign to Paige to get closer.

PRUE

(whispering)

Truth Spell.

PAIGE

Did you...?

PRUE

No, it wasn´t me. Chris did it. It was to test Andrea´s reaction. He is thinking in telling her everything about us.

PAIGE

And it caught you, right?

Prue shrugs.

PAIGE

Shouldn´t you be spending some quality time with Piper?

PRUE

I should.

PAIGE

What happe...?

PRUE

Don´t finish it, Aunt Paige.

PAIGE

OK, dear it looks like you need to talk.

Paige comes out from the bar and takes Prue to a table.

PAIGE

What happened?

PRUE

Well, Aunt Piper and I were spending some quality time together, but she was acting weird.

PAIGE

How weird?

PRUE

Another question! Well, she was playing the not-aunt part. Get it?

PAIGE

No, I don´t.

PRUE

Let me explain. She was acting like a mother-in-law.

PAIGE

Hum!

PRUE

It wasn´t her.

PAIGE

And that got you mad?

PRUE

Of course it did. She asked me what was happening...

PAIGE

... And the Truth Spell helped you to tell the truth, right?

PRUE

You are good, did you know?

PAIGE

I did.

Paige realizes it sounded convinced.

PAIGE

Truth Spell!

Prue smiles.

PAIGE

Listen, dear, I´m sure that you understand that this relationship between you and Wyatt is still a little weird to all of us. You must understand that Piper is trying to deal with it.

PRUE

I know, but she shouln´t play the mother-in-law part. She is my Aunt.

PAIGE

You should talk to her about your feelings. She will understand.

PRUE

Do you think?

PAIGE

I´m sure.

Paige hugs her niece.

PAIGE (CONT´D)

Why don´t you go rest?

PRUE

And the club?

PAIGE

Dear, it won´t be the first time I take care of everything. Go rest.

Prue and Paige get up.

PRUE

OK. You are right.

PAIGE

Curly hair looks good on you.

PRUE

What?

Paige points to Prue´s hair.

PRUE

Oh, this?! Aunt Piper said the same.

They smile. Prue leaves while Paige looks at her.

CUT TO:

INT. ANDREA´S HOUSE - LIVING ROOM - NIGHT

Andrea and Chris are talking.

ANDREA

Wow! This looks like a J. K. Rowling´s book.

Chris looks to her.

ANDREA (CONT´D)

Harry Potter... Wait! Is Harry Potter real?

CHRIS

(smiles)

Oh. Well, it´s a little different.

ANDREA

I don´t see the differences. Witches, warlocks, demons, werewolves...

CHRIS

Well, those are books, we are real.

ANDREA

There´re vampires?

CHRIS

(smiling)

Yes.

ANDREA

Then, I should carry garlic in my pockets.

CHRIS

Actually, vervain is more effective.

ANDREA

Really?

Chris smiles.

CHRIS

So, are you OK with this?

ANDREA

I think so.

CHRIS

Too bad you won´t remember anything tomorrow.

ANDREA

What do you mean?

CHRIS

I cast a spell.

ANDREA

Cool. Can you cast one right now?

CHRIS

Babe...

ANDREA

C´mon....

Chris smiles.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

Wyatt is flipping through the Book of Shadows´ pages. Junior is scrying.

JUNIOR

Have you found something about the Master?

WYATT

Not yet.

The pages of the book turns alone until they stop in a page.

JUNIOR

Sometimes I would like to know who does that.

WYATT

Whoever is, is always right.

Junior gets close to Wyatt and the book.

JUNIOR

Upper level demon, huh?!

WYATT

Won´t be easy.

JUNIOR

Just a pure soul can vanquish him.

WYATT

It says he keeps the souls in crystal balls. Breaking the balls is the only way to release the souls and they could get back to their owners...

JUNIOR

If they are alive.

WYATT

Well, I think we need to find those souls, don´t you think?

JUNIOR

The question is, how?!

Wyatt and Junior look to each other.

CUT TO:

INT. PRUE´S FLAT - LIVING ROOM - NIGHT

Prue is sitting on the couch watching T.V. Wyatt and Junior orb in.

PRUE

(surprised)

Hei!

WYATT

I thought you were with mum.

PRUE

Long story.

WYATT

What happened?

JUNIOR

Wyatt, we don´t have time.

WYATT

Right.

PRUE

What´s up?

WYATT

Melinda got into a portal.

PRUE

A portal? To where?

JUNIOR

The Underworld, we think.

PRUE

There´re portals to the Underworld?

WYATT

It is his mean of transportation.

PRUE

His? The demon?

JUNIOR

He is not a demon.

WYATT

But has powers.

PRUE

Too much to me. I got a headache!

WYATT

Well, I hope it won´t keep you from having a premonition. We need to find Mel.

Prue shrugs and grimaces.

PRUE

Give me something.

Wyatt gives her Noah´s necklace. She looks at it and takes it.

CUT TO:

INT. CAVE - UNDERWORLD - NIGHT

Melinda is in Noah´s cave. She has her hands tied and is unconscious. Noah and Rhona are there.

RHONA

Witches! You should have been more careful, Noah.

NOAH

More careful? Missing children calls attention, don´t you know that?

RHONA

But why the Destined Ones?!

NOAH

What do you want me to do?

RHONA

Nothing. It´s done.

NOAH

How much until the ceremony?

RHONA

A few minutes.

NOAH

What will he do with her?

RHONA

He haven´t decided yet. He´s weak right now. After the ritual he will decide.

Melinda is waking up. Rhona gets closer to her.

RHONA

Which one are you?

MELINDA

(confused)

What?!

Rhona gets down and looks to Melinda.

RHONA

Which Destined One are you?

MELINDA

The one who will kick your ass... maybe.

Rhona leaves Melinda and gets close to Noah.

RHONA

If Leah knew she was here...!

NOAH

We don´t want a fight with her right now. The Master is weak.

RHONA

Yes, but after the ceremony he could be the new Source, because Leah won´t be able to stop him.

MELINDA

He wants to be the Source? Good luck with that. That Leah is something.

RHONA

Shut up!

MELINDA

Come and shut me up.

Rhona gets closer to Melinda. Then, she feels someone calling her in her mind.

RHONA

You got lucky. The Master is calling us.

(to Noah)

Noah, bring her.

Noah gets closer to Melinda and helps her to get up. The three of them leave the cave.

CUT TO:

INT. MASTER´S CAVE - UNDERWORLD - NIGHT

A demon covered with a cloak from head to toe, is in the center of the cave surrounded by the unconscious bodies of the seven children. The cloak covers his face. Above every child is a opaque crystal ball. In one of the walls is a crystal shelf, embedded in the wall. Inside are like four dozens of bright crystal balls. Noah and Rhona come in bringing Melinda. Melinda looks to the cave. She notices the shelf.

MASTER

It´s time. Let´s get this started.

Noah leads Melinda to a corner.

MELINDA

Noah, don´t do it. Your parents...

NOAH

I don´t have parents. They left her to take me here and got my soul taken.

MELINDA

You can have it back. Untie me and I´ll help you.

NOAH

I´m sorry, witch.

Noah gets apart from Melinda. Rhona lights some candles all over the cave. Noah gets close to the Master.

NOAH

Master, we are ready.

MASTER

Perfect. Take your places.

Noah goes to the right side of the Master and Rhona to the left. The candles light get softer leaving the cave a little more darker. Melinda tries to untie herself.

MELINDA

(to herself)

Boys, where are you?!

Rhona takes a cup. She gets close to the Master and gives him the cup. The balls above the children starts to go from all over their bodies. Their skin color starts disappearing. Melinda can untie herself. She thinks about what to do.

MELINDA

(to Herself)

Think Mel, think.

She looks to everywhere. She looks again to the crystal shelf.

MELINDA

What if I...

An idea passes through her mind.

MELINDA

That´s exactly what I´m going to do.

Melinda gets up bit by bit and tries to get close to the shelf. Noah realizes that. He tries to stop her and creates a fireball and throws it towards her. Melinda deviates herself, falling into the ground. The ceremony doesn´t stops. Wyatt and Junior orb in a corner.

JUNIOR

(seeing Mel)

Mel is in there.

WYATT

What is she doing?

Melinda gets up. Noah creates another fireball.

MELINDA

Noah, please.

MASTER

Noah, stop her.

MELINDA

Noah, think twice.

Wyatt and Junior try to get closer. Rhona realizes their presence and creates a fireball and throws it against Junior. Junior orbs out and orbs back in. The fireball doesn´t hurt him. Melinda realizes Wyatt and Junior presence. Wyatt and Junior get closer to Melinda.

JUNIOR

We need to destroy the crystal balls. It´s the only way.

MELINDA

I already knew that!

(to Noah)

Noah, think twice, your parents miss you.

NOAH

They abandoned me.

WYATT

No, Noah. They didn´t had a choice.

The ceremony doesn´t stops.

RHONA

Don´t listen them, Noah.

Wyatt uses his telekinesis on Rhona. She falls in the other side of the cave but gets up immediately.

MELINDA

(to Noah)

Noah, please.

JUNIOR

(pointing to Rhona)

She took you from your parents, Noah.

Rhona creates a fireball.

RHONA

Don´t hear them.

NOAH

You told me they abandoned me.

RHONA

They did.

The crystal balls over the kids´ bodies stop and start to get closer to the Master. He starts absorbing their energy,

NOAH

(to Rhona)

It´s your fault.

RHONA

No, Noah.

Noah doesn´t think twice and throws the fireball against Rhona.

RHONA

Noooo!

She blows up. Wyatt and Junior get close to the shelf. Wyatt explodes the door. He and Junior start throwing the crystal balls to the ground. The souls start floating in the air and then, leaving the cave. Noah feels his soul get into his body.

WYATT

Noah, we need you to destroy him.

NOAH

I can´t.

MELINDA

Noah, you can.

Noah creates a fireball. The Master continues absorbing the souls.

MELINDA

You can do it.

Noah throws the fireball against the Master. The fireball hits him. The Master is surrounded by flames.

MASTER

Noooo! It can´t be!

The flames consume completely the Master. Wyatt throws, telekinetically, the others seven crystal balls to the ground. The balls break and the souls get back to the children bodies. Wyatt and Junior get closer to the kids. Melinda gets close to Noah.

MELINDA

(to Noah)

Well done!

NOAH

I feel different.

MELINDA

(smiling)

Everything is going to be OK.

The children wake up. Noah and Melinda help Wyatt and Junior with the kids.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

FADE IN:

INT. LEE´S FAMILY HOUSE - LIVING ROOM - NIGHT

Noah is being hugged by his parents. Wyatt, Junior and Melinda are there.

MRS. LEE

My son!

MR. LEE

We thought we had lose you forever.

Noah turns around to look at Wyatt, Junior and Melinda.

NOAH

Thanks.

MELINDA

You don´t have to thank us.

WYATT

Noah, about your powers...

NOAH

Can you guys do something about it? I want them out of me.

JUNIOR

We have the solution for that.

They smile. Noah´s parents hug him again.

CUT TO:

INT. PRUE´S FLAT - LIVING ROOM - DAY (NEXT DAY)

Prue is coming out from her bedroom. Wyatt orbs in.

PRUE

Hi, love!

They kiss.

PRUE (CONT´D)

What are you doing here this early?

WYATT

I wanted to stop by before going to bed.

PRUE

You had a long night, huh?

WYATT

We were taking care of the kids kidnapped this week and ten years ago.

PRUE

How did you find them?

WYATT

Noah knew where to find some of them. Others, unfortunately, disappeared. There´s no clue about where they are.

PRUE (CONT´D)

You can´t save everybody.

WYATT

At least, we tried.

PRUE

That´s right.

They kiss again.

WYATT

So, tell me, what happened between you and my mother?

PRUE

Truth Spell is still working, right?

WYATT

Yeah.

PRUE

Well, she asked me what was happening with me and I told her the truth.

WYATT

Oh!

PRUE

Yeah. I feel sorry for that.

WYATT

Have you talked to her?

PRUE

I haven´t. What am I going to tell her? Sorry Aunt Piper, it was the Truth Spell!

Wyatt laughs.

PRUE (CONT´D)

It´s not funny!

WYATT

Listen, Prue...

Wyatt touches her face.

WYATT (CONT´D)

You love each other. Go and talk to her. She will understand.

PRUE

Maybe.

WYATT

Why don´t you try?

Prue smiles and hugs Wyatt.

PRUE

I will.

They kiss again.

CUT TO:

INT. HALLIWELL´S - DINING ROOM DAY

Chris and Andrea are having lunch. Melinda gets close to them.

MELINDA

I´m tired!

CHRIS

Long night?

MELINDA

Very long night. You know, that thing.

CHRIS

Andrea knows, Mel.

MELINDA

Really?

Andrea nods.

MELINDA (CONT´D)

Are you OK with it?

ANDREA

Actually, it´s still hard to believe, but yes.

CHRIS

She won´t remember anything when the spell is over.

MELINDA

It´s still working?

CHRIS

Yeah.

ANDREA

Chris, promise me that you will tell me.

CHRIS

We´ll see, babe.

Melinda gets back to work. Andrea and Chris kiss.

CUT TO:

INT. HALLIWELL MANOR - ENTRANCE / MAIN HALL / DINING ROOM / STAIRS - DAY

Chris is coming downstairs. Prue comes in. She brings a Tupperware.

CHRIS

Hi Prue!

PRUE

Hi Chris!

Chris gets close to her.

PRUE (CONT´D)

How did that go?

CHRIS

It went well. She was OK with it. Actually, she liked it.

PRUE

See? There wasn´t reason to be afraid.

CHRIS

Well, she won´t remember a thing.

Chris pauses.

CHRIS (CONT´D)

Do you regret?

PRUE

Of what?

CHRIS

Not telling Eric the truth.

Prue thinks.

PRUE

It wasn´t destined, Chris. I´m with Wyatt and I love him.

CHRIS

(curious)

Talking about it, since when are you in love with Wyatt?

PRUE

Since always, maybe.

Prue realizes what she said.

PRUE (CONT´D)

Truth Spell.

CHRIS

(laughing)

It was exactly what he said.

Prue smiles.

PRUE

When does the spell end, anyway? I´m tired of telling the truth all the time.

Chris looks to Prue.

PRUE (CONT´D)

I don´t mean that I´m against the truth, but sometimes truth can hurt.

CHRIS

What happened?

PRUE

I said a few truths and I came to explain myself and get forgiveness.

Prue points to the Tupperware.

PRUE (CONT´D)

Aunt Piper?

CHRIS

In the kitchen.

PRUE

I´m going to talk to her.

CHRIS

Good luck.

Prue goes towards to the kitchen.

CHRIS (CONT´D)

And, Prue. Five minutes to go.

PRUE

I don´t need more.

Chris laughs.

CUT TO:

INT. HALLIWELL MANOR - KITCHEN - DAY

Paige is talking to Piper.

PIPER

Did what I did was boring?

PAIGE

No, Piper, but you have to understand that this is not easy for her either.

PIPER

But I was me.

PAIGE

Are you sure?

Piper thinks.

PIPER

Well, maybe I insisted a little bit in teaching her how to prepare what Wyatt likes. But that´s something that mothers-in-law does.

PAIGE

You are not mother-in-law and daughter-in-law. You are her aunt and she is your niece. She will never look at you like her boyfriend´s mother.

Piper sits. Paige does the same.

PIPER

Maybe you are right.

Prue comes in.

PRUE

Hi!

PIPER

Prue?

Paige gets up.

PAIGE

Well, I got to go.

Paige leaves the kitchen. Piper gets up.

PIPER

I´m glad you came...

PRUE

Aunt Piper, I´m sorry for what happened yesterday. I didn´t mean to say that.

PIPER

Really?

PRUE

No, actually I did.

Piper smiles.

PRUE (CONT´D)

Sorry. Truth...

PIPER

... Spell. I know.

PRUE

The thing is, that I don´t want things changing between us just because I´m dating Wyatt. I always looked at you as my Aunt Piper. I can´t change the way I look at you. I can´t see you as my boyfriend´s mother.

PIPER

This is still weird to me.

PRUE

I know.

PIPER

But you are right. It´s not because of it that we have to change our relationship.

PRUE

I like you like my Aunt Piper. You are like a mother to me. And you are the mother of my boyfriend, but I´m not going to change the way I look at you.

PIPER

I know my dear.

PRUE

So, are we OK?

PIPER

Of course we are.

They hear the grandfather clock ringing four o´clock.

PRUE

I think the spell is over.

PIPER

Thanks God!

Prue gives the Tupperware to Piper.

PIPER (CONT´D)

What is it?

PRUE

Well, I learn something yesterday, I think!

Piper smiles.

PRUE (CONT´D)

I don´t know if they taste good, but at least I tried.

Piper lands the Tupperware on the table and gets close to Prue. Both hug.

PIPER

I´m sure they taste good.

CUT TO BLACK.

END OF EPISODE